I wanted to share 6 great poems I recently came across. I truly believe these are amazing writers that will continue to come out with some great work. It is so important to support young or innovative poets. This is why I wanted to share their poems in this post. I want to get their work out.
What do you think of contemporary poets? There are amazing poets doing very different things with poetry. I enjoy modern poets. What do you think of spoken word poetry? Let me know in the comment section.
Life is a Place Where it's Forbidden to Live by Jackie Wang All I remember is the coppiced terrain I crossed to find a house to rest in. Who is the woman lurking in the woods? A fellow traveler. I'm not used to seeing others. She is lost and I am lost but the difference is she is a novice at being lost, whereas I have always been without country. Without planet. When we happen upon a cabin I ask the house for shelter on her behalf. I'm aware that we come off as oogles but want to prove we are different by washing dishes. To concretize my gratitude. In the morning, before the others awake, I set off for the holy site in a horse-drawn carriage. The carriage has a detachable sleeping chamber designed so that a princely man can carry me supine whenever the horse gets tired. At sunset my pilgrimage is complete. The Asian market is a glass palace overlooking an airport. From outside the Palace of Snacks the products shine like organs inside a hard, translucent skin. As I take the palace escalator heavenward my eyes are fixed on an airplane parked on the runway. It is waiting for me.
Forfeiting My Mystique by Kaveh Akbar It is pretty to be sweet and full of pardon like a flower perfuming the hands that shred it, but all piety leads to a single point: the same paradise where dead lab rats go. If you live small you’ll be resurrected with the small, a whole planet of minor gods simpering in the weeds. I don’t know anyone who would kill anyone for me. As boys my brother and I would play love, me drawing stars on the soles of his feet, him tickling my back. Then we’d play harm, him cataloging my sins to the air, me throwing him into furniture. The algorithms for living have always been delicious and hollow, like a beetle husk in a spider’s paw. Hafez said fear is the cheapest room in a house, that we ought to live in better conditions. I would happily trade all my knowing for plusher carpet, higher ceilings. Some nights I force my brain to dream me Persian by listening to old home movies as I fall asleep. In the mornings I open my eyes and spoil the séance. Am I forfeiting my mystique? All bodies become sicker bodies. This is a kind of object permanence, a curse bent around our scalps resembling grace only at the tattered edges. It’s so unsettling to feel anything but good. I wish I was only as cruel as the first time I noticed I was cruel, waving my tiny shadow over a pond to scare the copper minnows. Rockabye, now I lay me down, et cetera. The world is what accumulates — the mouth full of meat, the earth full of meat. My grandfather taught his parrot the ninety-nine holy names of God. Al-Muzil: The Humiliator. Al-Waarith: The Heir. Once, after my grandfather had been dead for a year, I woke from a dream (I was a sultan guzzling flies from a crystal boot) with his walking cane deep in my mouth. I kept sucking until I fell back asleep. There are only two bones in the throat, and that’s if you count the clavicle. This seems unsafe, overdelicate, like I ought to ask for a third. As if anyone living would offer. Corporeal friends are spiritual enemies, said Blake, probably gardening in the nude. Today I’m trying to scowl more, mismatch my lingerie. Nobody seems bothered enough. Some saints spent their whole childhoods biting their teachers’ hands and sprinkling salt into spider- webs, only to be redeemed by a fluke shock of grace just before death. May I feather into such a swan soon. The Book of Things Not to Touch gets longer every day: on one page, the handsome puppy bred only for service. On the next, my mother’s face. It’s not even enough to keep my hands to myself — there’s a whole chapter about the parts of me that could get me into trouble. In Farsi, we say jaya shomah khallee when a beloved is absent from our table — literally: your place is empty. I don’t know why I waste my time with the imprecision of saying anything else, like using a hacksaw to slice a strawberry when I have a razor in my pocket. To the extent I am necessary at all, I am necessary like a roadside deer — a thing to drive past, to catch the white of, something to make a person pause, say, look, a deer.
Litany in Which Certain Things Are Crossed Out
by Richard Siken
Every morning the maple leaves.
Every morning another chapter where the hero shifts
from one foot to the other. Every morning the same big
and little words all spelling out desire, all spelling out
You will be alone always and then you will die.
So maybe I wanted to give you something more than a catalog
of non-definitive acts,
something other than the desperation.
Dear So-and-So, I’m sorry I couldn’t come to your party.
Dear So-and-So, I’m sorry I came to your party
and seduced you
and left you bruised and ruined, you poor sad thing.
You want a better story. Who wouldn’t?
A forest, then. Beautiful trees. And a lady singing.
Love on the water, love underwater, love, love and so on.
What a sweet lady. Sing lady, sing! Of course, she wakes the dragon.
Love always wakes the dragon and suddenly
flames everywhere.
I can tell already you think I’m the dragon,
that would be so like me, but I’m not. I’m not the dragon.
I’m not the princess either.
Who am I? I’m just a writer. I write things down.
I walk through your dreams and invent the future. Sure,
I sink the boat of love, but that comes later. And yes, I swallow
glass, but that comes later.
And the part where I push you
flush against the wall and every part of your body rubs against the bricks,
shut up
I’m getting to it.
For a while I thought I was the dragon.
I guess I can tell you that now. And, for a while, I thought I was
the princess,
cotton candy pink, sitting there in my room, in the tower of the castle,
young and beautiful and in love and waiting for you with
confidence
but the princess looks into her mirror and only sees the princess,
while I’m out here, slogging through the mud, breathing fire,
and getting stabbed to death.
Okay, so I’m the dragon. Big deal.
You still get to be the hero.
You get magic gloves! A fish that talks! You get eyes like flashlights!
What more do you want?
I make you pancakes, I take you hunting, I talk to you as if you’re
really there.
Are you there, sweetheart? Do you know me? Is this microphone live?
Let me do it right for once,
for the record, let me make a thing of cream and stars that becomes,
you know the story, simply heaven.
Inside your head you hear a phone ringing
and when you open your eyes
only a clearing with deer in it. Hello deer.
Inside your head the sound of glass,
a car crash sound as the trucks roll over and explode in slow motion.
Hello darling, sorry about that.
Sorry about the bony elbows, sorry we
lived here, sorry about the scene at the bottom of the stairwell
and how I ruined everything by saying it out loud.
Especially that, but I should have known.
You see, I take the parts that I remember and stitch them back together
to make a creature that will do what I say
or love me back.
I’m not really sure why I do it, but in this version you are not
feeding yourself to a bad man
against a black sky prickled with small lights.
I take it back.
The wooden halls like caskets. These terms from the lower depths.
I take them back.
Here is the repeated image of the lover destroyed.
Crossed out.
Clumsy hands in a dark room. Crossed out. There is something
underneath the floorboards.
Crossed out. And here is the tabernacle
reconstructed.
Here is the part where everyone was happy all the time and we were all
forgiven,
even though we didn’t deserve it.
Inside your head you hear
a phone ringing, and when you open your eyes you’re washing up
in a stranger’s bathroom,
standing by the window in a yellow towel, only twenty minutes away
from the dirtiest thing you know.
All the rooms of the castle except this one, says someone, and suddenly
darkness,
suddenly only darkness.
In the living room, in the broken yard,
in the back of the car as the lights go by. In the airport
bathroom’s gurgle and flush, bathed in a pharmacy of
unnatural light,
my hands looking weird, my face weird, my feet too far away.
And then the airplane, the window seat over the wing with a view
of the wing and a little foil bag of peanuts.
I arrived in the city and you met me at the station,
smiling in a way
that made me frightened. Down the alley, around the arcade,
up the stairs of the building
to the little room with the broken faucets, your drawings, all your things,
I looked out the window and said
This doesn’t look that much different from home,
because it didn’t,
but then I noticed the black sky and all those lights.
We walked through the house to the elevated train.
All these buildings, all that glass and the shiny beautiful
mechanical wind.
We were inside the train car when I started to cry. You were crying too,
smiling and crying in a way that made me
even more hysterical. You said I could have anything I wanted, but I
just couldn’t say it out loud.
Actually, you said Love, for you,
is larger than the usual romantic love. It’s like a religion. It’s
terrifying. No one
will ever want to sleep with you.
Okay, if you’re so great, you do it—
here’s the pencil, make it work . . .
If the window is on your right, you are in your own bed. If the window
is over your heart, and it is painted shut, then we are breathing
river water.
Build me a city and call it Jerusalem. Build me another and call it
Jerusalem.
We have come back from Jerusalem where we found not
what we sought, so do it over, give me another version,
a different room, another hallway, the kitchen painted over
and over,
another bowl of soup.
The entire history of human desire takes about seventy minutes to tell.
Unfortunately, we don’t have that kind of time.
Forget the dragon,
leave the gun on the table, this has nothing to do with happiness.
Let’s jump ahead to the moment of epiphany,
in gold light, as the camera pans to where
the action is,
lakeside and backlit, and it all falls into frame, close enough to see
the blue rings of my eyes as I say
something ugly.
I never liked that ending either. More love streaming out the wrong way,
and I don’t want to be the kind that says the wrong way.
But it doesn’t work, these erasures, this constant refolding of the pleats.
There were some nice parts, sure,
all lemondrop and mellonball, laughing in silk pajamas
and the grains of sugar
on the toast, love love or whatever, take a number. I’m sorry
it’s such a lousy story.
Dear Forgiveness, you know that recently
we have had our difficulties and there are many things
I want to ask you.
I tried that one time, high school, second lunch, and then again,
years later, in the chlorinated pool.
I am still talking to you about help. I still do not have
these luxuries.
I have told you where I’m coming from, so put it together.
We clutch our bellies and roll on the floor . . .
When I say this, it should mean laughter,
not poison.
I want more applesauce. I want more seats reserved for heroes.
Dear Forgiveness, I saved a plate for you.
Quit milling around the yard and come inside.
Smell Is the Last Memory to Go by Fatimah Asghar on my block, a gate on my block, a tree smelling of citrus & jasmine that knocks me back into the arms of my dead mother. i ask Ross how can a tree be both jasmine & orange, on my block my neighbors put up gates & stare don’t like to share, on my block a tree I can’t see, but can smell a tree that can’t be both but is on my block, my mother’s skirt twirls & all i smell is her ghost, perfume on my block, a fallen orange smashed into sidewalk its blood pulped on asphalt on my block, Jordan hands me a jasmine by the time i get home all its petals are gone
Late Summer after a Panic Attack by Ada LimÓn I can’t undress from the pressure of leaves, the lobed edges leaning toward the window like an unwanted male gaze on the backside, (they wish to bless and bless and hush). What if I want to go devil instead? Bow down to the madness that makes me. Drone of the neighbor’s mowing, a red mailbox flag erected, a dog bark from three houses over, and this is what a day is. Beetle on the wainscoting, dead branch breaking, but not breaking, stones from the sea next to stones from the river, unanswered messages like ghosts in the throat, a siren whining high toward town repeating that the emergency is not here, repeating that this loud silence is only where you live.
it won’t be a bullet by Danez Smith becoming a little moon—brightwarm in me one night. thank god. i can go quietly. the doctor will explain death & i’ll go practice. in the catalogue of ways to kill a black boy, find me buried between the pages stuck together with red stick. ironic, predictable. look at me. i’m not the kind of black man who dies on the news. i’m the kind who grows thinner & thinner & thinner until light outweighs us, & we become it, family gathered around my barely body telling me to go toward myself.
Mindful Impressions 